Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Bill Morgan and his Gal
An old time string band tune from Charlie Poole
Heard the New Lost City Ramblers play this in concert in the tiny auditorium in Lee Park, Dallas in 1961. I was around thirteen and learning songs on my Sears and Roebuck Silvertone banjo from Pete Seeger's 'How to play the Five-String Banjo.' I had never heard anything quite like this and it knocked my socks off.
Blackjack Davy
A famous ballad aka Gypsy Davy
This is the oldest song I know. Wait, I already said that about 'Froggy' and 'Farmers Curst Wife'. Well, who knows, but this is known far and wide as Blackjack Davy, Gypsy Davy, Blackjack Daisy, and most creatively in Frank Proffit's version, 'The Gips of David'.
The Hayseed
A farmer-labor song
This is a song from the American populst movement, possibly written by Arthur L. Kellogg. I learned it from the singing of Pete Seeger on the classic Folkways "American Industrial Ballads" album.
Willie Moore
In memory of Doc Watson, one of his best banjo songs
We can't let the passing of our beloved Doc Watson go without a song. Of course we'll remember Doc mostly for his guitar music but he was also a great traditional banjo player. He recorded Willie Moore with what he called the 'still finger style' - a basic double thumb. He played it pure and simple.
Hard Times in the Mill
A labor song from cotton mills
Here's a song of struggle in the cotton mills in the 1890's. It comes to us from the singing of Lessie Croker, a knitting mill worker from Columbia South Carolina, by way of Pete Seeger's "American Industrial Ballads" on Folkways Records. It was recorded by Pete, Hedy West and Joe Glazer in the 1960's.
My Sweet Farm Girl
A naughty banjo blues from Tom Ashley
Tom Ashley recorded this naughty little song for Vocalion in 1932. Later it turns up on an obscure 10 inch Folkways LP called "Earth is Earth", sung by the New Lost City Ramblers under a thinly disguised pseudonym. The album included a few other songs of a similarly questionable nature.
Jackaro
A song of love, seamanship and cross-dressing
'Jackaro' is a Kentucky mountain variation on an old ballad called 'Jack Munroe.' The song was collected in Kentucky by Loraine Wyman and Howard Brockway and in Arkansas by Max Hunter. Jean Ritchie knew it is part of her own family tradition.
Jay Gould's Daughter
A railroad song.
Here's one version of a classic railroad song. I got it from Pete Seeger. It has been around in many other variations such as Charlie Poole's "Milwaukee Blues" recorded in the twenties.
NRA Blues
A song about the New Deal
Back in the days of the depression, the NRA was the 'National Recovery Administration' not the rifle association. NRA was a new deal program founded to bring business, government and labor together. Although it seemed a visionary idea at the time it did not completely please labor or business.
Bluey Brink
An Austrian drinking song
The pioneering English folklorist and singer A.L., Bert, Lloyd learned this song from "Old Dad Adams" of Cowra, New South Wales and sang it on two albums he made of Australian songs.
The Keeper of the Eddystone Light
A seafaring song from the English music hall
This song was popularized in the 1950's by Burl Ives and became a folk revival standard. It originates from an English music hall song published in the mid nineteenth century. Various sheet music publications from this time make conflicting claims of authorship.